Originally posted by The Geofster
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And while I picked DSTOM, it's difficult to pinpoint Wright's best work. WYWH was, by far, the best synth work in the history of synthesizers; tasteful, deliberate, and not obnoxious. His work on Animals was downright spooky and really helped set the tone for the whole album, lyrical musings of a whiney Roger Waters aside.
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